Olga Faccani, Ph.D.
Hodges Fellow 2021-22
Instructional Developer at the University of California, Santa Barbara
Olga’s dissertation, Tragic Bonds: Death, Disorientation, and Trauma in Euripides, explored how characters re-orient themselves in the aftermath of death and trauma in three of Euripides’ tragedies: Heracles, Alcestis, and Trojan Women. Olga investigated the significance of uncertainty and loss in Euripides, and more generally the ways in which the theater art form enacts the process of disorientation and uniquely exposes its spectators to change. Ancient Greek tragedies commonly dramatize ethically relevant spaces over which human beings lack control, and in doing so they expose spectators to a lack of footholds, disrupted routines, and fragmentary memories. In other words, Greek tragedies show their audiences the process of disorientation within the protected space of the theater, where spectators are prompted to think about how to act in the face of unexpected change or trauma, about the meaning of suffering, and about the horizons that limit the view of their human orientations. Euripides’ works prominently showcase existential questions and cast the characters in situations of uncertainty, where routines break down. By problematizing the notion that characters’ actions on the ancient Greek stage are bound by a strict set of rituals and rules, these works represent a rich case study for the exploration of the connections between disorientation, change and reorientation. In her dissertation, Olga showed how ancient Greek tragedy represents an important framework for the exploration of existential questions through performance, just as theater constitutes a privileged medium for the enactment of trauma, loss, and grief.
Check out Olga’s personal website here.